NATOKER MOTO
Journey of a female theatre artist is always a multi-dimensional
conflicting experience as a girl, as a woman and even as an artist. It is more
so when especially a woman is of maverick capability and of excellence beyond
her time. Whilst the film depicts the scenario of Kolkata socio-cultural
circuit spanning from 1950 to 1970s, it aspires to bring about the struggles
and conflicts a female artist has to go through even after two decades of
globalization. The film, through an investigation
of sudden demise of an extremely reputed actress’ death delves into an ongoing
search behind the causes of ceaseless conflicts a female artist got to
confront, and are made to remain submissive in the paradigm of male domination.
The film intends to get into precise details of the artist’s life so as to
expose the obstructions, understand the strength of creative aspirations, and
to ablaze with the delightful journey of the artistic soul that unfortunately
got cut short. However, this film is envisaged to be in coherence with the
belief in the unending journey of the artist who still remains alive with the
lively river and the living art.
Good movie
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